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On stock 57 pcs

Art: Gothic Mural Painting Issue number
485
Date of issue
26.11.2010
Face value
1.20 €
Sell price
1.20 €

The history of Cathedral church of St. Martin bishop in Spišská Kapitula (Spiš Canonry) dates back to the 13th century. Its contemporary appearance is the result of several reconstructions. The original Roman period is represented by the space in the western part – pillars with berry head capitals under gallery, two preserved portals and the lion statue from the original Western portal. Radical reconstructions in the second third of the 15th century turned the church into a hall three-nave basilica with high spaces with star and tracery vaults. Building up a mortuary chapel of the Zápolya family to the southern side of the church nave completed the reconstruction.
        The wall painting of Karl Robert Coronation represents the remains of the decoration dating back to the period before the Gothic reconstruction in the 15th century. The motif of the painting under the northern portal is a ceremonial scene which is dominated by the Mother of God with Jesus on her knees. Her throne, Jesus’ white robe and the ornaments of the whole painting relate to the Byzantine art mediated by Italian paintings at the turn of the 13th and 14th century. By blessing gestures, Mary and Jesus are turning to the king wearing a crown on his head. Behind the king, separated by the shield with red and white beams and with Anjou family lilies, a Spiš castellan Frantisek Thomas Semsay is kneeling.
            To the right of the Mary Enthroned, two church dignitaries are depicted – an Esztergom archbishop Thomas with another crown in his hands and a Spiš provost Henrik who is behind him. The scene represents hierarchical vision of the reign derived from the Christ and guaranteed by the local authorities. Considering thoroughly highlighted details of the clothes and insignia it can be assumed that the painter comes from courtly environment.
        The last complex reconstruction (Ladislav Szekély 2005) proved secondary of the historical signs and also the dating on one of them. Considering the iconography, the painting could have been created shortly after Karl Robert from Anjou was coronated the Hungarian king by the Esztergom archbishop for the last time in 1310.
                       Dušan Buran
 

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